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JASMINE GUFFOND

LIVE – karlrecords, sonic pieces, editions mego (AUS, based in Berlin, DE)

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Tech Rider

All questions to be directed to MO@MEDIA-LOCA.COM

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All questions to be directed to MO@MEDIA-LOCA.COM

Biography

Jasmine Guffond is an artist, composer and electronic musician investigating the intersection of sound, technology and political infrastructures through live performance, recording and installation. Over the last decade her sound art has interrogated surveillance cultures, using the sonification of data to reveal hidden digital processes such as facial recognition algorithms and internet tracking. These research based artistic projects provided sonic experiential platforms to encourage listening as a mode of socio-political investigation and explore what embodied sound and listening may contribute to the production of knowledge.

Her work has been presented internationally at galleries, art institutions and electronic music and art festivals including opening for CTM festival in 2020, a commissioned work for the Groupe de Recherches Musicales (GRM) Acousmonium, premiered in Paris at Présences Électronique in 2022, and an installation for Zentrum für Kunst und Medien (ZKM) in 2025.

Jasmine has released solo records with the Sonic Pieces (2015, 2017), Karl Records (2018), Editions Mego (2020), OOH-Sounds (2024), and LINE (2025) labels that intuitively explore abstract sound as well as referencing traditional musical structures, aspiring to develop a musical language as much interested in sonic phenomena as the emotive power of music. In order to encourage a deep embodied listening, her live performances explore bass frequencies and the way sound is felt by our bodies as well as extreme dynamics, ranging from the barely audible to moments of intense volume. Interested in the interplay between human and machine agency in electronic music making, extra-musical concepts also influence her aesthetic process. Her 2024 album Alien Intelligence explored themes of machine autonomy through Max/MSP programming and a Serge modular synthesizer, a process that questioned an assumed central position of human subjectivity in socio-technical assemblages. Her 2025 album Muzak for the Encouragement of Unproductivity, is a poetic inversion of Muzak’s traditional role in stimulating seamless productivity in the workplace. Sonically addressing notions of efficient, maximum productivity, inherent to capitalist cultures, and their negative effects from labour exploitation to the impacts of over-production on the environment, Muzak for the Encouragement of Unproductivity aims to provide a reflective space in which to consider the benefits personally, globally and environmentally, of slowing down.

Jasmine was awarded the Berlin Senate Working Scholarship for New Music and Sound Art in 2016 and 2022, featured in Wire magazine in 2019 and in 2021 Dr. Jasmine Guffond completed her PhD at the University of New South Wales Art, Design & Architecture department, where she conducted research into sound as a method of investigation into online surveillance cultures.

Latest and Upcoming Releases

Alien Intelligence

by Jasmine Guffond

Released on OOH-sounds, May 2024

Muzak for the Encouragement of Unproductivity will be released on June 27th on L.A. based label LINE

Alien Intelligence

by Jasmine Guffond

Released on OOH-sounds, May 2024

Alien Alliance released on OOH-sounds in May 2024

JASMINE GUFFONDs Discography on Discogs

to Discogs

AUDIO / VIDEO

Press

Fifteen Questions Interview with Jasmine Guffond
Haptic Potential

“Sound and music effect and affect in ways that words do not. I don’t think this is something we can necessarily measure or quantify.”

Fifteen Questionshttps://15questions.net/interview/fifteen-questions-interview-jasmine-guffond/page-1/15questions.net/interview/fifteen-questions-interview-jasmine-guffond/

A new experimental electronic music album, Microphone Permission, gives sound to the data collection that occurs online and in our smart cities daily.
Literally disquieting, Jasmine Guffond’s fourth solo album invites listeners to consider the implications of invasive contemporary digital listening practices. …

“I’m drawn to give sound to things usually beyond human perception – facial recognition algorithms, global networks or internet tracking cookies – and to question what it means for our personal habits to be traceable and our identities, choices and personalities to be reduced to streams of data.”

Microphone Permission refers to the consent given by smart device users when installing certain apps. The name was inspired by a 2018 scandal when La Liga, an app for Spanish soccer fans, was discovered to be using microphone access and GPS location to catch out bars broadcasting soccer matches without the correct licence, turning app users into unwitting spies.

by UNSW Art & Design PhDMarch 2020https://artdesign.unsw.edu.au/whats-on/news/sounds-surveillance-jasmine-guffond%E2%80%99s-latest-electronic-album-sounds-out-our-digital – artdesign.unsw.edu.au

Editions Mego, releases an anxiety-inducing record by Australian-born, Berlin-based sound artist Jasmine Guffond. Aptly titled, Microphone Permission addresses the supposed consent users give to smartphones for algorithmic eavesdropping, sonifying the tools of digital surveillance in real time as they extract, store, and monitor one’s personal information. Drawing listeners into a paranoid, data-driven soundscape where influences of drone, minimal electronic, and noise music give way to ambient club, Guffond provides an experiential platform for these ubiquitous, invasive, and otherwise undetectable processes.

by Kristen KubeckaMarch 2020https://bombmagazine.org/articles/jasmine-guffonds-microphone-permission/ – Bomb Magazine.org

“Every single technical component of our smart devices can be and will be, used and repurposed to identify and track us,” says conceptual artist and electronic musician Jasmine Guffond. “One significant technological development is the proliferation of smart assistants. Amazon has sold more than 100 million Alexa devices and a quarter of U.S. adults own a smart speaker. These devices are forever listening. We’ve invited surveillance as service into our homes.” This theme of surveillance is an integral part of Guffond’s new album, Microphone Permission. A surprisingly seductive blend of ambient, classical and gently pulsating techno influences, the album is a bold exploration of our evolving relationship to technology.

by John ThorpMarch 2020https://daily.bandcamp.com/features/jasmine-guffond-feature – daily.bandcamp.com

Die Musik zum Thema Überwachungskapitalismus und staatlichem Browser-Panoptismus. Die in Berlin ansässige Australierin Jasmine Guffond hatte zuletzt mit der Chrome- und Firefox-Erweiterung Listening Back User_innen ermöglicht, Cookies in Sound umzuwandeln und macht nun auf Microphone Permission Ähnliches.

by Kristoffer CornilsMarch 2020https://spex.de/musik-von-morgen-jasmine-guffond-mutter-the-master-musicians-of-jajouka-bachir-attar-pantha-du-prince-stephen-malkmus/ – Spex.de

Sounds Of Surveillance

Jasmine Guffond talks to DJ Soeur Veillance aka Gloria González Fuster, a Research Professor and Co-Director of the Law, Science, Technology and Society Research Group at Vrije Universiteit Brussel, investigating data laws and policies, and most notably data protection.

Jasmine Guffond: The sounds of surveillance is something of a misnomer. I mean for me the whole point is that surveillance makes no sound, and therefore I’m giving it a sound so that we can hear some of these data collection processes that are usually obscured and operating in the background.

The WireFebruary 2020https://www.thewire.co.uk/audio/tracks/sounds-of-surveillance – thewire.co.uk

Jasmine Guffond debuts on Editions Mego with a new album, Microphone Permission.

As the title suggests, the album draws from Guffond’s research into online surveillance and features source material from a variety of projects the artist has been involved with over the last two years.

She will premiere the album during an audiovisual performance at this year’s edition of CTM.

by Henry Bruce-JonesJanuary 2020https://www.factmag.com/2020/01/14/jasmine-guffond-editions-mego-microphone-permission/ – Factmag.com

Editions Mego will release the new album by Australian producer Jasmine Guffond, titled Microphone Permission.

Guffond developed the album over a two-year period as part of her ongoing research into online surveillance and sound as a method of investigation.

XLR8R StaffJanuary 2022https://xlr8r.com/news/australias-jasmine-guffond-questions-algorithmic-and-computational-listening-on-editions-mego-album/ – XLR8R.com

Der Sound der Überwachung

Wer wissen möchte, wie sein eigenes Gesicht klingt, sollte sich an Jasmine Guffond wenden: Die australische Soundkünstlerin und Komponistin weiß Bescheid. Im Rahmen ihres „Sound Studies“-Studiums an der Universität der Künste sollte sich Guffond mit ihren Kommilitonen vor fünf Jahren einen Soundwalk rund um die Deutsche Oper ausdenken, einen Hörspaziergang also, bei dem man sich einen Ort über Klang und Geräusche erschließt. Das Thema war „Protest“

by Julia LorenzoNovember 2019https://taz.de/Daten-in-Musik-uebersetzt/!5640077/ – TAZ.de

Chicks On Speed, Jasmine Guffond
In her lecture-sound performance, Jasmine Guffond works with an archive of false positives remixes. Using live uploads, she challenges the Content ID system and discusses the consequences brought on by algorithmic acts. The sound artist and composer works at the interface of social, political and technical infrastructures.

Haus der Kulturen der WeltNovember 2019https://www.hkw.de/en/programm/projekte/veranstaltung/p_161847.php – HKW.de

Biennial Project: Overtone Hive, 2019
Sound sculpture

Commissioned by the 2019 ChicagoArchitecture Biennial
In collaboration with: Jasmine Guffond and Lional “Brother El” Freeman

Zorka Wollny invited Jasmine Guffond to collaborate on a 30 channel sound installation at the abandoned Overton Elementary School in Bronzeville, Chicago.

https://chicagoarchitecturebiennial.org/current/contributors/zorka_wollny2019https://chicagoarchitecturebiennial.org/current/contributors/zorka_wollny – Chicago Architecture Biennial:

“Invitée : Jasmine Guffond” / Playlist

.Robert Fripp & Brian Eno”The Heavenly Music Corporation”
.Earth “Seven Angels”
.Nurse With Wound “Creakiness”
.Art Ensemble of Chicago “Thème de Céline”
.Catherine Christer Hennix “Music of Auspicious Clouds”
.Speaker Music “Techno is a Liberation Technology (ft. AceMo)”
.Tasha Wada with Yoshi Wada and Friends “Litany”
.Jasmine Guffond “An Utterly Dark Spot”
Alexandre Bazin2021https://www.radiofrance.fr/francemusique/podcasts/l-experimentale/invitee-jasmine-guffond-7538822 – LExperimentale (Radio France)

RVNG Intl. includes Jasmine Guffond’s track “Serge & Maxine Variation Two” from her album Alien Intelligence in their latest ‘favs EOY selection for 2024.

RVNG Intl. presents Friends & Fiendshttps://www.nts.live/shows/rvngintl/episodes/rvngintl-4th-december-2024 – RVNG INTL.

Alien Intelligence  was conceived during Guffond’s 2021 GRM residency and was composed on GRM’s Serge modular synth alongside Max MSP. The intention was for the technology to have as much of an imprint on the music as the composer herself, calling to mind Roland Kayn’s cybernetic approach to computer music. Indeed, experimental music has long called into question the role of the composer themself, going back to John Cage’s indeterminate music. Alien Intelligence, however, exists in the context of AI increasingly seeping its way into every aspect of art, labor and culture. Thus, there’s a palpable tension in Alien Intelligence, existing somewhere between the bliss of letting go of control and the potential for disruption inherent in all technology. The three tracks on this album each stand as statements of their own.

by Levi Dayanhttps://dustedmagazine.tumblr.com/post/753001406998380544/jasmine-guffond-alien-intelligence-ooh-soundsdusted magazine, June 2024
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JASMINE GUFFONDs booking contact :

Mo Loschelder

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